Oh my, how
the tables have turned. OR rather
Yall want
some hot book publishing goss? Let me lay it on you.
Go Set a Watchman* was originally thought
to be To Kill a Mockingbird's sequel. Wrong. Harper Lee finished writing Watchman in the mid-1950s; her publisher
rejected the manuscript as it was and encouraged her to hone in on Scout’s
childhood instead. She complied, wrote and published Mockingbird, and seemingly forgot about Watchman. Fast-forward over 50 years. Harper Lee was 89 years old
and her health was failing her. Her sister and primary caregiver died. Harper’s
lawyer and trustee of her estate, Tonja Carter, took over and conveniently
found the Watchman manuscript,
which she published. Eight days before Harper Lee’s death, her will was redone
to transfer the bulk of Lee’s assets to Carter’s control as executor.
Some of
Lee’s friends claim that she was sufficiently healthy and aware when Go Set a Watchman landed in
HarperCollins’ fingertips. Others fervently assert the exact opposite. One thing
is for sure: home girl had been vocally adamant over the years that To Kill a Mockingbird was her one and
only novel.
So, was the
manuscript published against her will? It’s a sad sitch either way. Either she
was fully on board; in which case Tonja Carter is unnecessarily demonized for
helping a woman she cared about deeply. Or she was taken advantage of; in which
case her legacy is tainted. Because the thing is—it’s a bad book. It’s a first
draft and it reads like one.
The novel
is written in third person (as opposed to the first person account in To Kill a Mockingbird—part of the
novel’s appeal IMO). It follows the
disillusionment of Scout in her mid-twenties as she realizes that Atticus’
racial beliefs are more complicated (read: more racist) than she once thought. Since Atticus is considered a
“watchman” of her hometown, his beliefs don’t bode well for Maycomb, Alabama,
and Scout is morally horrified.
Having a
racist character in your book doesn’t automatically make the book racist. I think
that Harper Lee started somewhere (with this manuscript) and listened to her
editors (rightfully so) to make a more fully fleshed out novel of complex
empathy and racial tension (To Kill a Mockingbird). Reading this honestly does a disservice to the author’s
vulnerable writing process, and I don’t recommend picking it up unless you really
want to thoroughly study the progression of a renowned literary figure (and
feel uncomfortable that you’re maybe contributing monetarily to the
exploitation of an undeserving elderly woman). Go Set a Watchman receives 1 out of 5 camel humps.
*Lee, Harper. Go Set a Watchman. New York: HarperCollins, 2015. Print.
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